The weddings are everywhere—music, flowers, laughter. But Abhira… she can’t feel any of it. Her stomach is tight. Her eyes keep darting around. Something’s wrong. She can’t shake it. Not yet. Not now. The house is decorated, everyone is smiling, but she’s not part of it. She keeps thinking, keeps waiting, keeps worrying. It’s instinct, not drama. Just this quiet, heavy knowing.. When she fails to spot Myra around, panic creeps in. Myra casually claims she was in the washroom, but Abhira’s motherly radar refuses to switch off. Something feels wrong, and that feeling refuses to leave.
That unease turns into genuine fear when Abhira finds a tracker among Myra’s belongings. The moment is chilling because nothing loud happens — no background score explosion, no screaming — just realization. Myra admits she had noticed the tracker earlier but forgot to mention it amid the wedding chaos. That single lapse suddenly feels massive. Abhira doesn’t scold her; instead, she does something more powerful — she understands the danger.
Armaan enters the scene with information that only strengthens Abhira’s fear. Tanya’s unusual concern for Myra already felt strange, and now, combined with the tracker, it creates a disturbing pattern. Abhira feels it in her gut. Something’s wrong. Everyone’s pretending, ignoring it, but she can’t. Myra is being watched. The threat is real. She tells Armaan, and together, they decide—they can’t just wait anymore. It’s not a suspicion now. It’s protection.
As they get closer to the wedding venue, the tension doesn’t shout, it just sits there, heavy. Abhira doesn’t let Myra go, not even for a second. At one point, Myra ties her dupatta to Abhira’s, like a kid holding on to someone safe. Small gesture, but it hits deep. Trust. Innocence. Fear, all at once.
The baraat comes, loud, colorful, full of life. Music, dancers, rituals… all of it. And still, danger slips in. The goons hide among the crowd, smiling, pretending, waiting. Abhira dances, smiles, but her eyes… they don’t stop. Watching. Always watching.
Despite all precautions, the worst happens. In the swirl of music and movement, Myra gets separated. One moment the dupatta is tied, the next it’s loose. Panic grips Abhira instantly. The wedding continues as if nothing has changed, creating a haunting contrast — laughter and fear existing in the same space.
Armaan rushes to search for Myra while Abhira fights the urge to scream. The Poddar family welcomes Abhir, Abhira, and Surekha, pulling them into rituals that feel painfully irrelevant to Abhira at that moment. Relief flickers briefly when Abhira spots Myra again, but the danger is far from over. The goons haven’t given up.
As the ceremonies progress, Kaveri notices Abhira’s strange behaviour and questions the dupatta tie. Armaan avoids answering immediately, his focus fixed elsewhere — Tanya. Tanya’s presence feels heavy now, layered with secrets. Armaan confronts her, questioning her warnings about Myra and the tracker found in her purse. Tanya dodges answers, and her silence speaks louder than words.
The situation escalates when the goons make a direct attempt to abduct Myra. Just as things are about to spiral out of control, Krish intervenes and stops them. For a fleeting moment, he appears heroic. But that illusion shatters within seconds.
The goons reveal the truth — they were forced into this crime because of Krish. His gambling addiction destroyed their firm, leaving them desperate and reckless. Krish’s actions didn’t just ruin finances; they created criminals. The show makes a strong statement here — irresponsibility can be as dangerous as cruelty.
Abhira watches this unfold, not with anger but with deep disappointment. Krish didn’t save Myra out of morality; he was cleaning up a mess he created. Armaan realizes the gravity of the situation — this is no longer a family issue but a criminal one.
Deciding not to take further risks, Abhira and Armaan move Myra to the Goenka house, placing her under Madhav and Vidya’s protection. It’s a quiet decision but a firm one. Safety now comes before tradition, before pride, before family politics.
Meanwhile, Kiara waits for Krish after the wedding, unaware that the man she trusts has already sold the Poddar firm. Tanya grows emotional, her guilt layered with fear. The house feels divided — between celebrations and secrets, between marriages and moral failures.
The episode ends, but it doesn’t feel like relief. Nothing’s really over. The danger is still there—just shifted, hiding in another corner. Abhira stands firm, Myra’s okay for now, but Krish… he’s getting closer to his own fall. You can feel it coming.
Yeh Rishta Kya Kehlata Hai 25th December 2025 Episode Review
This episode succeeds because it chooses emotional realism over loud drama. Abhira is written with remarkable clarity — she doesn’t overreact, she observes. Her fear feels earned, not exaggerated. The tracker plot finally pays off in a meaningful way, proving it wasn’t introduced just for shock value.
The wedding backdrop is used intelligently. Instead of overpowering the narrative, it heightens the tension. Rituals continue while danger creeps closer, reminding viewers how crises often happen amid normal life.
Krish’s arc is one of the strongest elements here. The show refuses to redeem him cheaply. Even after he stops the kidnapping, you can’t ignore what he did. It’s not just the act—it’s what it says about him. He’s not exactly a villain. Not the kind you can point at. But he’s broken. Dangerous. In a quiet, creeping way.
Armaan… he’s different. He doesn’t try to be a hero. He’s just there. Steady. Holding Abhira up when she wobbles. Tanya, though… she’s quiet. Too quiet. You can feel it. Something’s coming. Something that could shake everything for everyone.
If there’s one drawback, it’s pacing. A few ceremonial scenes could’ve been trimmed to tighten the suspense further. Still, the emotional weight compensates for it.
Overall, this episode feels like a turning point. The story moves from domestic tension to real consequences. Abhira steps into a protector’s role, Krish stands exposed, and the Poddar family edges closer to collapse.
